Guitar in Theory and Practice by Kevin M Buck

Author:Kevin M Buck [Buck, Kevin M]
Language: eng
Format: epub
Tags: -
Publisher: Eternal Eye Publishing
Published: 2018-03-26T00:00:00+00:00

7 Modes in A Major

conventional fingerings

Arpeggio Fingerings

Arpeggios can be played many ways on the guitar. Here is a very easy way to figure out where all the notes are throughout the neck for any major, minor, diminished, or augmented arpeggio. Just like the chords, there are only three different notes in any major, minor, diminished, or augmented arpeggio, this allows us to be able to learn only three different fingerings for any of these arpeggios. These are essentially just inversions of arpeggios. This method will get us the entire fingerboard for any arpeggio. We must memorize where the root notes are for each shape, and we must memorize which shape comes before and after each shape. It is also very important to break these shapes into two string runs, patterns and licks by playing only the notes on the high E and B strings up and down the neck in the three different fingerings. Then try only the top three strings for three string arpeggios, then the top four, then the top five, and then finally learn to play long six string arpeggios. This progression is very helpful in learning sweep picking as well. The fingerboard maps of chords/arpeggios and seventh chords/arpeggios at the end of this section can be used to create your own chord voicings as well as your own arpeggio fingerings. This map may also allow you to see some patterns and shapes to help connect the entire fingerboard for chords and arpeggios.

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